WHAT I SMELL: Black No. 1 opens with a boot strap leather with hints of green cedar and fir. The leather feels strong, thick and stiff, like the boot leather that would be worn by a lineman needed for protection from the rugged elements. After a short time, a petroleum sheen rises above the leather which is rather metallic and sharp. But soon enough, that metallic edge disappears and once again the perfume becomes full on leather. After 30 minutes or so, the perfume moves from the strong leather, to a softer and lusher wooded and slightly sugared leather. At this point, the perfume is very comforting and it feels at ease. The best of Black No. 1 is reserved for the drydown. In the end, the leather is soft and rather green, slightly sweetened lightly creamy and it hugs the skin…which means you’ll have to get close up to really feel it’s magic.
Recently named “SEXIEST SCENT” at the International Artisan Fragrance Awards, TOP MEN’S FRAGRANCE by Men’s Journal Magazine and BEST OF THE WEST by Sunset Magazine. This worldly and penetrating perfume contains hundreds of exotic natural essences. An unforgettable, brooding, complex, swirling kaleidoscope of a perfume which, given its notes and general dark aesthetic, is surprisingly warm and encompassing. This fragrance captivates the wearer to a deep and enchanting mystique.
Black No. 1 notes:
Top: Northwest conifers, Puget Sound seaweed, white sage
Middle: oud, cannabis, amber
Base: black leather, ambergris, hyraceum
WHAT IT SMELLS LIKE TO ME: The Wichita Lineman…very masculine, solitary and graceful in his strength.
THREE WORDS THAT DESCRIBE BLACK NO. 1: secure, confident, understated
BOTTOM LINE: Formerly branded as Blackbird, Black No. 1 really is a sexy scent in that it’s masculine without being over the top full on beast. Instead, it has a quiet strength that would fit any wearing scenario. I’m not a huge fan of leather perfumes, but I think I finally found one that could break my thinking on that front.
WHAT I SMELL: Constance opens with the most inviting deep mandarin floral combination; it’s gorgeous, big, beautiful and rather buttery…and it’s thick and juicy and completely rapturous…oh, I could keep on going! In a short time, the thick sheen of juice soon begins to thin and soften and the rather fruity opening moves to a light spice with jasmine at the heart. Constance remains incredibly pretty, but the big, and bold moves towards the more mysterious and exotic. Vanilla sets the tone moving forward, but with a light hand. The perfume is so incredibly warm and inviting and it feels as if it pulses off the skin as if it were an extension of one’s being. Additionally, a bit of labdanum adds just the right amount of amber like dimension keeping the vanilla in check. In the end, Constance is this intoxicating warm and exotic floral that’s spiced, lightly powdered and incensed. Constance is a head turner and absolutely beautiful.
…perfect for those who love fruity and spicy scents, jasmine, luxury woods and vanilla…
The year is 1927…Constance is vivacious, passionate and chic; effortlessly elegant in tailored blouses and trousers during the day, but at night she is the centre of attention in an Egyptian-inspired beaded dress, red lipstick and daring high heels …
Classification: Feminine, but I could see a man wearing this as well.
Expense: $120 for 50ml eau de parfum. Exclusively sold in the US by Indigo Perfumery.
QUENTIN
WHAT I SMELL: Quentinopens with a rather funky herbal tarragon and a cinnamon that mixed together is bold and smells a little off. This initial funk makes me wonder what kind of ride I’m in for. Soon enough, the herbal discordant opening starts to even out the rough edges and the mixture moves from the funkified to a more flattened woodiness and light leather. At this stage, the perfume is really dry and the leather is front and center and a woody vetiver takes its place next to it. In addition, a patchouli adds just a light sweetness to the perfume, but it chooses to stay in the background. For some time, there’s a noticeable petroleum smell, as if the leather was cured in oil and grease. But as the perfume develops, that starts to dissipate and a floral warmth takes its place. On paper, this smelled a great deal to me like Miss Dior. On my skin however, I am thinking not so much…that is until around 30 minutes into the wear. And that’s a good thing. Miss Dior rocks my world and it is about as masculine of a woman’s perfume as there is. As the perfume continues to develop, it becomes less Miss Dior and ends up in this petroleum fueled leather spiced musk. Quentin is a traditional scent fortified with just the right amount of daring.
…perfect for those who love assertive elegant woody scents, leather notes and musk…
The year is 1925… Quentin is charming, stylish and impeccably attired and is always impeccably attired in flamboyant style. You will often find him relaxing by day at the cricket drinking a fine Sauvignon blanc and at parties by night sipping champagne…
Top notes: Bergamot, Cinnamon Bark, Tarragon
Heart notes: Carnation, Geranium, Patchouli
Base notes: Moss, Leather, Sandalwood, Vetiver, Musk
WHAT IT SMELLS LIKE TO ME: The original Red Baron, Manfred von Richthofen.
THREE ADJECTIVES THAT DESCRIBE QUENTIN: bold, self-assured, headstrong
Expense: $120 for 50ml eau de parfum. Exclusively sold in the US by Indigo Perfumery.
WHAT OTHERS ARE SAYING ABOUT DECO LONDON PERFUMES: BGirl Rhapsody
BOTTOM LINE: The Deco London line beautifully captures the essence of traditional perfumery, but with a modern sensibility. As you can see, Constance is my favorite in the line, but the feminine floral essence of Millicent comes in a close second. For the men, Quentin has that modern edge that makes it unique, but Ernest is an incredible old school classic perfume. What a great start for a new perfume house. Welcome Deco London, you’ve made quite the splash!
WHAT I SMELL: East India opens with a rush of cardamom and sharp black pepper which is quickly met with a moistened burnt wood, like a campfire that has just been extinguished by water. The perfume feels as if it has been aged in an oak cask like a fine liquor waiting to be released only until the peak of perfection. And soon enough, that characteristic is met with a combination of light dry whiskey mixed with a very organic tobacco. There’s nothing sweet about the perfume, but a light leather and oak stained tobacco give a slight impression that there is a semi-sweetness lurking in the recesses of the cask. As the perfume develops, it starts to dry out and the burnt birch really takes hold in addition to a slightly soured oud that wafts in on top of this increasingly large plume of smoke. Thankfully, the smokiness begins to recede and mellow to more of a burnt hue. In the end, East India mellows to a very comforting dry and slightly mysterious smoky wood.
BOTTOM LINE: One of three perfumes in the “Come Hell or High Water” collection, East India captures the majesty and mystery of the high seas and the adventure that came with exploring the Far East. The perfume goes on strong, but then mellows to a smoky haze. But because of the smokiness, it’s probably not best suited for the office. However, after hours, it would work well for making some of your own swashbuckling adventures.